Michael Fonfara @ The Hammond B3 - YouTube

Michael Fonfara @ The Hammond B3 - YouTube: ""

Published on 7 Nov 2012

Live from the Rhythm Ranch Studio as part of the upcoming footage being collected for the Work in Progress Documentary "The Life and Times of the Hammond B3 Organ"
http://rhythmranch.ca

Lou Reed '74 Australia Funniest Press Conference EVER & Wild side + Rock 'n Roll LIVE HD - YouTube

Published on 1 Nov 2013

Unique on Youtube and UNSEEN for 40 years, we see American Musician and Native New Yorker Lou Reed has just arrived in Australia for the first time August 19, 1974 and at this Press Conference we see Lou Reed like a Maestro in total control which sometimes leaves the Australian Reporters rather miffed at this man, someone no doubt like they've never met before! This also includes LIVE performances at the Hordern Pavillion in Sydney of Walk on the Wild Side and Rock 'n Roll both later would become Classic's in the Music catalogue of the now late Mr. Lou Reed.

The first lady of bass: Carol Kaye Trailer - YouTube

Kristian Grundström via Google+

2 weeks ago

Carol Kaye



The first lady of bass! What an amazing session player. She's played on over 10,000 recording sessions with bands like The Beach Boys, Sonny & Cher and Supremes as well as tons and tons of TV shows during her 57-year-old career.



You can get Skype lessons with her through http://www.carolkaye.com/

Reply

 · 

2

The first lady of bass: Carol Kaye Trailer - YouTube

Kristian Grundström via Google+

2 weeks ago

Carol Kaye



The first lady of bass! What an amazing session player. She's played on over 10,000 recording sessions with bands like The Beach Boys, Sonny & Cher and Supremes as well as tons and tons of TV shows during her 57-year-old career.



You can get Skype lessons with her through http://www.carolkaye.com/

Reply

 · 

2

▶ Faces "Stay With Me" - YouTube

Tommy Haynes

3 weeks ago

 

This
is rock and roll perfection . The funky rhythm, the dynamic arrangement
, the images conjured up in the lyrics ( Stay with me ..but don't be
here in the morning )  Rod's gravelly voice,  the great keyboard work ,
Ronnie's slide work ,the bass etc..I think this is among the classics
 of  Rock and Roll songs

Reply

 · 

CAMILLE YARBROUGH Take Yo' Praise.wmv

HammondWiki - All Time Hammond Pop Hits

HammondWiki - All Time Hammond Pop Hits:



Albert - Santa Barbara Machine Head (1967), Jon Lord on Hammond

America - The Nice (1968), L100 by Keith Emerson

A Gypsy's Kiss - Deep Purple (1984), Jon Lord on C3

A Hit by Varese - Chicago (1972), Robert Lamm on B3

A Whiter Shade of Pale AWSOP - Procol Harum (1967), M102 by MatthewFisher

A Song for Richard and His Friends - Chicago (1972), B3 by Robert Lamm

Bad Things (TrueBlood theme) - Jace Everett (2005), C2 by Steve Nathan

Believe - Brooks & Dunn (2005), B3 by Reese Wynans

Biggest Part Of Me - Ambrosia (1980), B3 by Christopher North

Black Magic Woman/Gypsy Queen - Santana (1970), B3 by Gregg Rolie

Blinded By the Light - Manfred Mann's Earth Band (1976), Manfred Mann on Hammond

Born To Be Wild - Steppenwolf (1968), organ by Goldy McJohn (usually played live on a B3 but the studio recording was played on a heavily distorted Lowry organ.)

Burn - Deep Purple (1974), JonLord on C3

Child in Time - Deep Purple (1970), Jon Lord on C3

Close to the Edge - Yes (1972), C3 by Rick Wakeman

Conquistador - (studio album version) Procol Harum (1967), M102 by MatthewFisher

Dance to the Music - Sly and the Family Stone (1968), B3 by Sylvester "Sly Stone" Stewart

Dancing In The Moonlight - Toploader (2000), Hammond C3

Don't Do Me Like That - Tom Petty & the Heartbreakers (1979), Benmont Tench on Hammond

Don't Dream It's Over - Crowded House (1986), organ by Mitchell Froom

Duty - Frumpy (1971), B3 by Jean-Jacques Kravetz

Easy Livin' - Uriah Heep (1972), B3 by Ken Hensley

Eli's Comin' - Three Dog Night (1969), B3 by Jimmy Greenspoon

Everything You Did - Steely Dan (1976), (Uncredited, perhaps Donald Fagen)

Evil Ways - Santana (1969), B3 by Gregg Rolie

Feelin' So Bad - Butts Band (1975), B3 by Alex Richman

Fire - Arthur Brown (1968), Vincent Crane on Hammond

Fire - Pointer Sisters (1978), Organ by Dave "Baby" Paich

Fireball - Deep Purple (1971), Jon Lord on C3

Fly Like an Eagle - Steve Miller Band (1976), B3 by Joachim Young

Flute Thing - The Blues Project (1966), Al Kooper on Hammond

Foot Stompin' Music - Grand Funk Railroad (1971), Hammond by Mark Farner

Foreplay/Long Time - Boston (1976), M3 by Tom Scholz

Freedom Rider - Traffic (1970), Steve Winwood on B3

Fun, Fun, Fun - The Beach Boys (1964)

Get Organized (from Walk On medley) - Boston (1994), B3 w/Leslie 147 by Tom Scholz

Gimme Some Lovin' - The Spencer Davis Group (1966), B3 by Steve Winwood

Good Lovin' - Rascals (1966), Felix Cavaliere on Hammond

Green Eyed Lady - Sugarloaf (1970), B3 by Jerry Corbetta

Green Onions - Booker T and the MGs (1962), M3 by Booker T Jones

Hang 'em High - Cover by Booker T and the MGs, (1968)

Hey Big Brother - Rare Earth (1971), B3 by Kenny James

Highway Star - Jon Lord (1972), C3 by Jon Lord

Hip Hug Her - Booker T and the MGs (1967), Booker T Jones

Hoedown - Emerson, Lake and Palmer (1972), C3 by Keith Emerson

Hold Your Head Up - Argent (1972), C3 by Rod Argent

Holding On To Yesterday - Ambrosia (1975), B3 by Christopher North

Homeward Bound - Fleetwood Mac (1972), Christine McVie

How the Gypsy Was Born - Frumpy (1971), B3 by Jean-Jacques Kravetz

Hush - Deep Purple (1968), M100 by JonLord

Hyacinth House - The Doors (1971), C3 by Ray Manzarek

I Just Want You To Know - Steve Winwood (recorded ca. 1970), B3 by Steve Winwood. Solo effort first issued on 1999/2011 reissue of Traffic's "John Barleycorn Must Die" CD.

I'm a Man - The Spencer Davis Group (1967), B3 by Steve Winwood

Indian Reservation - Paul Revere and the Raiders (1971), Paul Revere on Hammond

"je t'aime... moi non plus" - Jane Birkin and Serge Gainsbourg (1969), arranged (and probably played) by Arthur Greenslade

Jingo - Santana (1969), B3 by Gregg Rolie

Karn Evil 9 - Emerson, Lake and Palmer (1973), C3 and L100 by Keith Emerson

Keep Me Hangin' On - VanillaFudge (1967), B3 by Mark Stein

Knife Edge - Emerson, Lake & Palmer (1970), C3 by Keith Emerson

Lazy - Deep Purple (1972), C3 by JonLord

Let It Be - The Beatles (1970), B3 by BillyPreston

Like a Rolling Stone - Bob Dylan (1965), B3 by Al Kooper

Ma Belle Amie - Tee Set (1969), Hammond by Hans van Eijck

Magic Carpet Ride - Steppenwolf (1968), Hammond by Goldy McJohn

Marrakesh Express - Crosby, Stills and Nash (1969), Hammond by Stephen Stills

Me and Bobby McGee (& others) - Janis Joplin with Full Tilt Boogie (1970); Ken Pearson on Hammond

Mr. Midnight - Johnnie Ray with the Four Lads (1953) - Hammond by Buddy Cole.

Mr. Moonlight - Beatles (1964); PaulMcCartney on RT3

Mother - Chicago (1971), Robert Lamm on B3

More - Rascals (1967), Organ by Felix Cavaliere

Morning Glory - Blood, Sweat & Tears (1967)- Hammond by Al Kooper

Natchez Trace - Pavlov's Dog (1976), Organ by Doug Rayburn

Night After Night - U.K. (1979), Eddie Jobson on Hammond

Nothing to Lose - U.K. (1979), Eddie Jobson on Hammond

Our Day Will Come - Ruby & The Romantics (1963). Leroy Glover on the "shimmering" Hammond with guitarist Kenny Burrell, frequent collaborator with JimmySmith

Outa Space - Billy Preston (1972), B3 (and some impressive Clavinet) by BillyPreston

Oye Coma Va - Santana (1970), B3 by Gregg Rolie

Point of Know Return - Kansas (1977), C3 by Steve Walsh

Porcupine Juice - Santa Barbara Machine Head (1967), Jon Lord on Hammond

Refugee - Tom Petty & The Heartbreakers (1980), Organ by Benmont Tench

Repent Walpurgis - Procol Harum (1967), M102 by MatthewFisher

Roll With The Changes - REO Speedwagon (1978), B3 by Neal Doughty

Rondo - The Nice (1967), L100 by Keith Emerson

Roundabout - Yes (1971), C3 by Rick Wakeman

Rubber Monkey - Santa Barbara Machine Head (1967), Jon Lord on Hammond

Same Old Story - Spock's Beard (2003), keyboards by Ryo Okumoto

Season of the Witch - Al Kooper, Mike Bloomfield and Steven Stills (Super Session) (1968). Al Kooper on B3

Smoke on the Water - Deep Purple (1972), Jon Lord on C3

Smokin' - Boston (1975), M3 by Tom Scholz

Soho(needless to say) - Al Stewart (1973), Hammond by Peter White

Something Better Change - The Stranglers (1977), Dave Greenfield on Hammond L-100

Song of the Wind - Santana (1972), B3 by Gregg Rolie

Soul Sacrifice - Santana (1969), B3 by Gregg Rolie

South California Purples - Chicago Transit Authority (1969), Robert Lamm on the Hammond

Space Truckin - Deep Purple (1972), C3 by Jon Lord

Spare Me a Little Bit of Your Love - Fleetwood Mac (1972), Hammond by Christine McVie

Squib Cakes - Tower of Power (1974), Chester Thompson

Stop - Al Kooper, Mike Bloomfield and Steven Stills (Super Session) (1968). Al Kooper on B3

Stormy Monday - Allman Brothers (1971), B3 by Gregg Allman

Stormy Monday - Lee Michaels (1969), B3 by Lee Michaels

Surfin' USA - The Beach Boys (1963), Organ by Brian Wilson

Take Care of Illusion - Frumpy (1971), B3 by Jean-Jacques Kravetz

Tarkus - Emerson, Lake and Palmer (1970), C3 and L100 by Keith Emerson

Tend My Garden - James Gang (1970), Organ by Jim Fox

That's Life - Frank Sinatra (1966), B3 by Michel Rubini

Theme from Mr. Lucky - Henry Mancini (1959), Organ by Buddy Cole

Then You Can Tell Me Goodbye - the Casinos (1967), (Leslie,B3/C3)

The Sermon - JimmySmith (1958)

Tico Tico - EthelSmith (1944)

Time of the Season - The Zombies (1968), B3 by Rod Argent

Time is Tight - Booker T and the MGs (1969), M3 by Booker T Jones

Time to Kill - U.K., Eddie Jobson (1978) on Hammond

Truth - Brian Auger (B3) and the Oblivion Express (1972)

Voodoo Chile -Jimi Hendrix Experience (1968), Stevie Winwood on Hammond

Yeh Yeh - Georgie Fame & the Blue Flames (1965), B3 by Georgie Fame

You Made Me So Very Happy - Blood, Sweat and Tears (1969), Organ by Dick Halligan

You're The Only Woman - Ambrosia (1980), B3 by Christopher North

You Shook Me - Led Zeppelin (1969), M-100 by John Paul Jones

Whipping Post - Allman Brothers (1969), B3 by Gregg Allman

Delaney & Bonnie with Duane Allman - Only You Know And I Know 1971

Delaney & Bonnie with Duane Allman - Only You Know And I Know 1971

Soul Train Line Dance to Earth Wind Fire's Mighty Mighty

Soul Train Line Dance to Earth Wind Fire's Mighty Mighty

The Monkees - "33 1/3 Revolutions Per Monkee" (Complete TV Special)

Dana - All Kinds of Everything (Special Performance 1970)

▶ The House Of The Rising Sun (Live 1963)- The Animals - YouTube

▶ The House Of The Rising Sun (Live 1963)- The Animals - YouTube

Stephen Fenech

1 month ago

HOLY
CRAP! WHY CANT WE HAVE STUFF LIKE THIS NOW. IM 18 YEARS OLD AND IM
BLOWN AWAY! (btw yes I do listen to the mainstream crap and I didn't
think it was crap before I saw this)

Reply

 · 

2

Aretha Franklin and Ray Charles (1971) - 25 minute jam, starts with Spirit In The Dark(Live)

https://www.youtube.com/watch?v=kmIRgZbzoJ8 

"Unlike the original recording, this is an exploratory performance containing plenty of spontaneous vocal improvisation. Indeed, the last 20 minutes of this set contains plenty of jamming, something San Francisco audiences knew more about than possibly anywhere else in the world. By this point, the audience is totally enraptured and to continue the momentum, Franklin segues directly into the dynamic title track and hit single off her most recent album, Spirit In The Dark. Here she combines everything learned during her younger years as a church soloist. This is a truly spectacular performance that is riveting from beginning to end. These two set ending performances alone justify her dominance as one of the greatest singers of her generation and the unquestioned Queen Of Soul. "Spirit In The Dark" leaves the audience howling for more. Franklin returns for a brief reprise of this high-energy jam before leaving the stage having experienced a second magical night well beyond her expectations"

One of the most anticipated and ultimately satisfying run of shows ever to occur on the Fillmore West stage occurred in March of 1971, when Bill Graham presented three consecutive nights featuring Tower Of Power, King Curtis, and Aretha Franklin. Immortalized in part on the album Aretha Live at Fillmore West, these performances became a landmark event that played a significant role in Franklin reaching beyond the loyal black audiences that already knew of her. In early 1971, Jerry Wexler, who signed Aretha to Atlantic Records and produced her classic 1960's recordings for the label, was looking into ways to introduce the Queen Of Soul to a mainstream audience. He turned to San Francisco's musically dynamic hippie culture ("longhairs" as he referred to them) as an inroad to Aretha's crossover success. It turned out to be a visionary move, but when the discussion began, Aretha had not performed before predominantly white audiences. She was highly skeptical at best and downright fearful of a disastrous turnout at worst.

 The proposed venue, Bill Graham's Fillmore West was legendary for its discriminating rock music audience and this, combined with the fact that Aretha was accustomed to much larger venues by this point in her career, added to the trepidation she was feeling about Wexler's plan. Aretha had long been touring with a band of her own, but Wexler had a different vision for these performances, which he ultimately planned to record for a live album, adding to the pressure. He persuaded Aretha to use King Curtis and the Kingpins, which included a dream team of musicians including Cornell Dupree on guitar, Jerry Jemmott on bass, Bernard "Pretty" Purdie on drums, Truman Thomas on electric piano, and Pancho Morales on congas.

They also recruited Billy Preston, the soulful organist also recruited by the Beatles during their Let It Be album sessions. To give the ensemble the additional punch required to match Franklin's intimidating vocal power, the legendary Memphis Horns were also brought in, along with the Sweethearts Of Soul on background vocals. This second night of the three-night stand finds Franklin beginning the set considerably more comfortable than the first night. The nervous energy of the previous night is replaced by a determination to repeat the jubilant celebration of the night before. Franklin also spontaneously revises the setlist plan by dropping "Mixed Up Girl" and adding "Share Your Love With Me" later in the song lineup, a change that will remain on the final night as well.

Following Bill Graham's introduction, Franklin again kicks things off with her infectious take on Otis Redding's "Respect," a #1 crossover smash hit, usually reserved for closing her sets. Just like the previous night, this number sets the energy level extremely high right off the bat. Franklin's classic original, "Call Me," another hit single the previous year, is up next before she spontaneously decides not to perform "Mixed Up Girl." Instead, she refers to the next song as an experiment, before launching the group into a remarkable interpretation of Stephen Stills' "Love The One You're With" that is met with rapturous approval. As great as this is, it is merely a warm-up exercise for a powerful reading of Simon & Garfunkel's "Bridge Over Troubled Water."

This was a show-stopping performance all three nights of the run, and although the album version was lifted from the final night and opening night may have been the most inspired, this version is also well worth hearing. Not performed the previous night, Aretha adds the rhythm and blues number, "Share Your Love With Me" to the set next. A highlight of her "This Girl's In Love With You" album the previous year, this is a welcome addition to the setlist that brings another roar of approval from the audience.

Despite it being under-rehearsed, its another remarkable performance and a testament to this extraordinary band. Less successful, but a bit more engaging than the previous night, are Franklin's covers of the Beatles' "Eleanor Rigby" and Bread's "Make It With You." Franklin returns to stellar form on an emotional reading of "You're All I Need To Get By" followed by "Don't Play That Song," another recent hit at the time. Like all three nights of this run, the remainder of the set is the pinnacle of the evening. Here Franklin sings her own songs and the intensity level immediately rises. First is a truly phenomenal take on "Dr. Feelgood," a key song from her 1967 Atlantic debut that she originally published as "Love Is A Serious Business."

Aretha Franklin - vocals, piano

King Curtis - sax

Billy Preston - organ

Cornell Dupree - guitar

Jerry Jemmott - bass

Bernard Purdie - drums

Pancho Morales - percussion, drums

Truman Thomas - piano

Brenda Bryant - backing vocals

Margaret Branch - backing vocals

Pat Smith - backing vocals

Andrew Love - tenor sax

Wayne Jackson - trumpet

Roger Hobbs - trumpet

Jack Hale - trombone

Jimmy Mitchell - baritone sax

Lou Collins - tenor sax

Tom Jones - Duets & Medleys (1970's)

▶ Mika - Lollipop + Lyrics - YouTube

▶ Mika - Lollipop + Lyrics - YouTube

▶ Fluke - Bubble (Stuntbubble, 1994) - YouTube

▶ Fluke - Slap It (Untitled V3) - YouTube

"Slap It" is a single by the English electronic music band Fluke. This song is partially responsible for Fluke's reputation in the mainstream as it was featured on the soundtrack for The Matrix Reloaded under the name "Zion". It was subsequently included on the Puppy album as "Another Kind of Blues". This single was never sold commercially and was only released on the Appalooso label for promotional use only.

Slap It (Fluke song)

"Slap It"
Single by Fluke
from the album Puppy (as Another Kind of Blues)
Released	2001
Format	12" Vinyl
Recorded	2001
Genre	Electronica House
Label	Appalooso
Producer	Fluke
Fluke singles chronology
"Absurd: The Remixes" (2001) "Slap It" (2001) "Pulse" (2002)

▶ "Atom Bomb" - Fluke

Fluke (band)

From Wikipedia, the free encyclopedia

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Fluke
Origin	Beaconsfield, England
Genres	Techno, house, ambient house, IDM, ambient techno, breakbeat
Years active	1988–present
Labels	Creation, Strange Fruit, Circa, Astralwerks, Appalooso, One Little Indian
Members	Mike Bryant Jon Fugler
Past members	Julian Nugent Rachel Stewart Mike Tournier

Fluke are an English electronic music group formed in the late 1980s by Mike Bryant, Jon Fugler and Mike Tournier with Julian Nugent as the band's manager. The band's conception was influenced by the members interest in the burgeoning acid house music scene and particularly the work of Cabaret Voltaire and Giorgio Moroder.

The band are noted for their diverse range of electronic styles spanning the house, techno, ambient and blues genres; for their reclusivity, rarely giving interviews; and for lengthy timespans between albums. Many listeners know of Fluke only through the inclusion of their music in many blockbuster film soundtracks—most notably The Matrix Reloaded and Sin City—as well as featuring prominently on the soundtracks to Need for Speed: Underground 2 and the Wipeout video game series. The film The Experiment uses their song "YKK".

To date Fluke have produced five original studio albums, two "best of" compilations and two live albums. Throughout their career they have made several changes to their line-up with credited appearances attributed to Neil Davenport playing guitars, Robin Goodridge on drums and Hugh Bryder as a DJ. When Fluke were touring for Risotto they were joined on stage by Rachel Stewart who acted as a personification of the band's official mascot, a character from the Wipeout series named Arial Tetsuo. Stewart continued as lead female vocalist and as a dancer for all of Fluke's live performances between 1997 and 1999.

After Risotto, Mike Tournier left the group to form Syntax with Jan Burton. Mike Bryant and Jon Fugler went on to produce Fluke's latest studio album without Tournier's help and the pair have subsequently engaged in projects under the name 2 Bit Pie, with their debut album 2Pie Island released on September 4, 2006. The musical activities of Mike Tournier remain unknown at present.