Tuesday, 27 December 2011

Spooner Oldham: Sweet Inspiration







Dewey Lindon "Spooner" Oldham (born June 14, 1943)[1] is an American songwriter and session musician. An organist, he recorded in Muscle Shoals, Alabama and at FAME Studios on such hit R&B songs as "When a Man Loves a Woman" by Percy Sledge, "Mustang Sally" by Wilson Pickett and "I Never Loved a Man" by Aretha Franklin.

As a songwriter, Spooner Oldham teamed with Dan Penn to write such hits as "Cry Like a Baby" (The Box Tops), "I'm Your Puppet" (James and Bobby Purify), "A Woman Left Lonely" and "It Tears Me Up" (Percy Sledge).

A native of Center Star, Alabama, Oldham started out playing piano in bands during high school. He then attended classes at the University of North Alabama but turned instead to playing at FAME Studios. He moved to Memphis, Tennessee in 1967 and teamed up with Penn at Chips Moman's American Studios.

Oldham later moved to Los Angeles and has continued to be a sought-after backing musician, recording and performing with such artists as Bob Dylan, Delaney Bramlett, Willy DeVille, Joe Cocker, the Hacienda Brothers, Linda Ronstadt, Jackson Browne, the Everly Brothers, Dickey Betts, J. J. Cale and Frank Black.

Frequently a backing musician for Neil Young, he played on Young's critically acclaimed 1992 album Harvest Moon[2] which also was the follow-up to Young's 1972 album Harvest released 20 years previous. Oldham also appears in the concert film, Neil Young: Heart of Gold and backed up Crosby Stills Nash & Young on their 2006 "Freedom of Speech" tour.

As of 2007, Oldham was touring with the rock/alt country band, Drive-By Truckers on their "The Dirt Underneath" Tour.

In 2008 Oldham played on Last Days at the Lodge, the third album released by folk/soul singer Amos Lee.

On April 4, 2009, Oldham was inducted into the Rock and Roll Hall of Fame as a sideman.

In May 2011, Oldham backed Pegi Young on a six-show tour of California.

[edit] External links

Do it again - Eumir Deodato


Uploaded by on Aug 20, 2010

Eumir Deodato's New Mix version of Steely Dan's DO IT AGAIN

Eumir Deodato "Also Sprach Zarathustra" (1972)





T - Rex - Get It On



Esther Ofarim - compliation













Joss Stone & LeAnn Rimes - Summertime

Tom Jones - recent









s-a taste of honey - 12 artists























Aretha Franklin & Tom Jones - spirit in the dark


Love Tom Jones. Incredible voice. But, he more than met his match with Aretha. She was at her peek in those years and no one could touch her. And no one all these many years later could touch her. Her voice is like a rubber band and the tremendous range and phrasing is without parallel. I am so glad I was around to see her in her prime in concert.

Tom Jones - A taste of honey

Tom Jones - What I Say.avi

Tom Jones - Hold On, I'm Coming

Hold On (I'm Comin) - Sam & Dave



Marshall Hain - Dancing In The City



Precious Wilson "Hold On, I'm Coming"



Uploaded by on Oct 20, 2008

1979

http://www.sonymusic.de/Eruption

PRECIOUS WILSON is one of the pioneers of the UK black music revolution of the 1970s and 80s, alongside such artists as Junior Giscombe, Jazzy B (Soul 2 Soul), Heatwave, Loose Ends, Leee John (Imagination), Eddy Grant, BIlly Ocean, Five Star, Incognito, Carroll Thompson and David Grant (Lynx).

She started her career as the lead singer of the Soul Disco group Eruption, and then later, as a solo artist. Precious Wilson will always be regarded with great affection as a stand-out act from that great era of popular music.

As a child, she was exposed to many musical influences, including, Country, R&B and Gospel. This combined with the home grown Jamaican music of Lovers Rock, Reggae and Calypso, contributed to her eclectic taste in popular music which is still very much with her to this day.

Precious moved to England as a young child, where she was exposed to other forms of music such including Classical, Pop, and Rock.

All of these elements have contributed to Precious sensual, soulful and exciting vocal style, which has become her trademark.

She continues to wow audiences with her performances internationally and has a very large fan base across much of continental and Eastern Europe, especially Russia.

In between shows, Precious Wilson is busy writing material for a new album.

http://preciouswilson.com

http://preciouswilson.narod.ru

http://musicline.de/de/artist/ERUPTION

Eruption - I can't stand the rain 1978







SILVER CONVENTION - Fly Robin Fly



Boogie wonderland - Earth Wind and Fire

Amii Stewart - Light my fire, knock on wood,









Bronski Beat - I feel Love, ain't necessarily, co'mon







Bronski Beat - Ain't necessarily so

The Communards - Don't Leave Me This Way



Top Comments

the gays make some of the best songs man"yt-user-name " dir="ltr" href="http://www.youtube.com/user/Snakey2012">  Snakey2012 6 days ago







Jimmy Somerville - You Make Me Feel (Mighty Real) (1989) 7:25







Thelma Houston - Jack Flash, Don't Leave me this way......



better audio here:


Cissy Houston - 'Jumpin Jack Flash' (live) by mickeynold


Uploaded by on Dec 14, 2008
Thelma Houston appearing on the British television show "The Price of Fame" sings "Jumpin' Jack Flash", which she recorded on her classic album "Sunshower". The album was produced and arranged by Jimmy Webb and released on Dunhill Records in 1969. This was Thelma's first solo album before signing with Motown Records and going on to win a Grammy with her international hit "Don't Leave Me This Way" in 1977.

Monday, 26 December 2011

Here We Go Again - Ray Charles & Norah Jones

One Night in Bangkok - Murray Head (HQ Audio)



Uploaded by on Jul 16, 2008

Middle 80's Classic Murray Head Great Song Vid

I agree it's very clever, song and video. Duality is used a lot and in these puns 'mate', 'Knight', 'Queen' - Chess itself is duality. Bangkok is perfect foil offering two things sex/lurid thrills or culture/history - angel/devil. Love the sardonic wit when he describes how the tourist is 'only'.... 'watching the game, controlling it'... Which is the truth, Bangkok nature reflect's it's tourists'.

Brilliant, ballsy and beautiful song.

Björn & Benny realy snuck that good old ABBA sound into this one. Love it!

Blondie - compilation











Black Box - Ride On Time Original









Uploaded by on Jun 1, 2009

"Ride on Time" is a 1989 song recorded by band Black Box. It was later released on their debut LP Dreamland. The song achieved a great success in many countries, such as UK and Ireland where it was a number-one hit.

The song was written and produced by the Italian production team Groove Groove Melody, consisting of DJ Daniel Davoli, programmer Mirko Limoni and musician Valerio Semplici. The team worked with model Catherine Quinol (aka Katrin), who was the face of Black Box. In the video and in live performances she lip-synced to the original vocals.

The song sampled Loleatta Holloway's 1980 disco hit "Love Sensation" and attracted some controversy for the uncredited use of Holloway's vocals from that song. Holloway's counsel engaged in a press attack on Black Box, successfully securing a settlement that paid the singer an undisclosed sum; the group had legally cleared the samples with Salsoul Records, who had released the original track, but Holloway was in arrears for advances from the label and thus was not recompensed by Salsoul.

For the re-release of the song, M People singer Heather Small recorded the vocals.

The song's title derives from a sample of Holloway singing the lyrics "thank you baby, 'cause you're right on time". The altered title is a consequence of "flapping", which makes American T's sound like D's to people who do not speak American English.

//text source: http://en.wikipedia.org/wiki/Ride_on_Time




Loleatta Holloway (November 5, 1946 – March 21, 2011) was an American singer, mainly known for disco songs such as "Hit and Run" and "Love Sensation", both of which have been sampled extensively. In the late 1980s, her vocals from "Love Sensation" were used in the UK #1 hit "Ride on Time" by Black Box.[1] Holloway, however, was uncredited for her vocals,[2] and both Holloway and her attorneys successfully sued the group, which lead to an undisclosed court settlement in Holloway's favor.

Fine Young Cannibals -compilation





Right Said Fred - I`m Too Sexy (The Original)

Robert Palmer - Simply Irresistible, Addicted to Love



M.A.R.S. - Pump Up The Volume - http://retrovidz.blogspot.com/



This track represent a great moment in the history of hip-hop, old-school and house music !

Between 1:46 to 1:55, samples Kool & the Gang's "Jungle Jazz". "And "Brothers and Sisters!" is from Public Enemy (not sure what song).

Lisa Fischer, & The Rolling Stones - Gimme Shelter (Live)



HIGHLIGHTS:
2.26 - Lisa Fischer struts up front
2.56 - Lisa Fischer busts an eardrum
3.06 - Keith appreciating Lisa
5.18 - Jagger thanks Lisa Fischer
5.28 - the crow chant "Charlie"


4.05 - Lisa Fischer solo
4.43 - Fischer/Jagger duet



Lisa Fischer has the moves of Tina Turner and the voice of Merry Clayton

Lisa Fischer - after Tina Turner (concert)

Tina Turner live at 70+ years of age (with hot dancers) [ 2009 ] 01-15





Saturday, 24 December 2011

Come On Eileen - great "Ska" brass band cover


Uploaded by on Mar 8, 2009

skArmy covering Save Ferris's cover of Dexy's Mightnight Runners's Come On Eileen

the original below:



The Hollies- compliation











The Hollies - two Dylan tributes etc





The Young Messiah - gospel meets tradt choral Hallelujah



Uploaded by MauMau1961 on Oct 11, 2008

Hallelujah from Messiah XXI or The Young Messiah - Jeffrey Osborne, Chaka Khan with the Philharmonic Orchestra and Chorus and the Visual Ministry Gospel Choir (featuring Madleine Bell, see Part 4))

Elkie Brooks - in 2006



Elkie Brooks - with Vinegar Joe


Uploaded by on Feb 23, 2007
1974 Elkie Brooks vocals, Robert Palmer vocals & guitar,Pete Gage guitar, Mike Deacon keys, Steve York bass, Alan Powell drums.




Uploaded by on Dec 31, 2007
A Wild, Wild, live version of the classic LAWDY MISS CLAWDY by a great band Elkie Brooks, Pete Gage, Steve York and Pete Gavin from 1972

Elkie Brooks - Mojo Hannah


Uploaded by on Dec 10, 2009

Mojo Hannah performed by Elkie Brooks on German TV show Musikladen 1977.
Visit Elkie's official website at www.elkiebrooks.com


Elkie Brooks - Pearl's a singer 1977


Uploaded by on Oct 6, 2009
Elkie Brooks - Pearl's a singer 1977


Here is a 2006 version - even more of a knockout:

http://www.youtube.com/watch?v=la6QYWFTeAo&feature=relmfu

 

Top Comments

Winehouse, Allen and all the other of today's crap computer assisted singers should be strapped in chairs and made to listen to what a real singer sounds like. Great Elkie.

http://www.youtube.com/watch?v=la6QYWFTeAo&feature=relmfu

2010 and still a knockout:

Madeline Bell - in concert

Madeline Bell, James Last etc - Me and Bobby McGee

Madeline Belll & Dusty Springfield - Gonna Build A Mountain (Madeline Bell, Lesley Duncan)

Dusty Springfield 1970 "Son Of A Preacher Man"









Dusty tribute / Katy Setterfield - Son Of A Preacher Man - Respect La Diva 2011



Uploaded by NoNameRelevant on Oct 20, 2011

Katy Setterfield sings Son Of A Preacher Man in the West End musical Respect La Diva 2011

Madeline Bell - Dusty Springfield tribute



Uploaded by on May 28, 2011

Madeline Bell performs "I Just Don't Know What To Do With Myself" at Dusty Day 2011 - May 1, London. (A celebration of Dusty Springfield and her music.)

Keyboard - Jonathan Cohen








Madeline Bell - mature selection...

Hit the road Jack, Jazz Orchestra Concertgebouw Madeline Bell JOC - YouTube




'Let The Good Times Roll' - Madeline Bell and the Jazz Orchestra of the Concertgebouw




Madeline Bell & Cor Bakker Big Band - Hallelujah I Love Her So




'Unchain My Heart' - Madeline Bell and the Jazz Orchestra of the Concertgebouw







JOC & Madeline Bell. A Tribute to Ray Charles

Madeline Bell - Funk "Comin' Atcha" (1973) / Good news



Madeline Bell - before she did rock / jazz

...ironic how some of the knockout 70"s Rolling Stones songs such as "You can't always get what you want" and Gimme Shelter" were as good as they were becuse of the backing vovals of black singers like Madeline Bell (and Merry Clayton) who learned their craft singing gospel music in church choirs........

and check out her career credits: Madeline Bell | AllMusic

oirs

Alex Bradford & The Bradford Specials: Crossing Over Jordan: http://youtu.be/1reBl_M4JNA



Rolling Stones - "You Can't Always Get What You Want"



the above versions is with the searing backing vocals of Madeline Bell (of Blue Mink/"Melting Pot" fame).   below is without backing vocals...still great, but not in the same league



Track listing

The track listing on the back of the album jacket did not follow the one on the album itself. According to Brownjohn, he altered the track listing purely for visual reasons; the correct order was shown on the record's label. Additionally, "Gimme Shelter" is rendered as "Gimmie Shelter" on the jacket.
All songs written by Mick Jagger and Keith Richards, except where noted.

Side one
No. Title Length
1. "Gimme Shelter" 4:30
2. "Love in Vain" (Robert Johnson†) 4:19
3. "Country Honk" 3:07
4. "Live with Me" 3:33
5. "Let It Bleed" 5:27
Side two
No. Title Length
6. "Midnight Rambler" 6:52
7. "You Got the Silver" 2:50
8. "Monkey Man" 4:11
9. "You Can't Always Get What You Want" 7:30

[edit] Personnel

The Rolling Stones
Additional personnel

Exile on Main St - The Rolling Stones - & the Blackberries









Track listing

All songs written by Mick Jagger and Keith Richards, except where noted.

Side one
No. Title Length
1. "Rocks Off" 4:31
2. "Rip This Joint" 2:22
3. "Shake Your Hips" (Slim Harpo) 2:59
4. "Casino Boogie" 3:33
5. "Tumbling Dice" 3:45
Side two
No. Title Length
6. "Sweet Virginia" 4:27
7. "Torn and Frayed" 4:17
8. "Sweet Black Angel" 2:54
9. "Loving Cup" 4:25
Side three
No. Title Length
10. "Happy" 3:04
11. "Turd on the Run" 2:36
12. "Ventilator Blues" (Jagger/Richards/Mick Taylor) 3:24
13. "I Just Want to See His Face" 2:52
14. "Let It Loose" 5:16
Side four
No. Title Length
15. "All Down the Line" 3:49
16. "Stop Breaking Down" (Robert Johnson) 4:34
17. "Shine a Light" 4:14
18. "Soul Survivor" 3:49

[edit] 2010 bonus disc

No. Title Length
1. "Pass the Wine (Sophia Loren)" 4:54
2. "Plundered My Soul" 3:59
3. "I'm Not Signifying" 3:55
4. "Following the River" 4:52
5. "Dancing in the Light" 4:21
6. "So Divine (Aladdin Story)" 4:32
7. "Loving Cup" (Alternate take) 5:26
8. "Soul Survivor" (Alternate take) 3:59
9. "Good Time Women" 3:21
10. "Title 5" 1:47
11. "All Down the Line" (Alternate take, Japanese Bonus Track) 4:09

[edit] Personnel

[edit] Additional personnel

  • Nicky Hopkinspiano
  • Bobby Keyssaxophone and percussion
  • Jim Pricetrumpet, trombone, organ on "Torn and Frayed"
  • Ian Stewart — piano on "Shake Your Hips," "Sweet Virginia" and "Stop Breaking Down"
  • Jimmy Miller — drums on "Happy" and "Shine a Light," percussion on "Sweet Black Angel," "Loving Cup," "I Just Want to See His Face," and "All Down the Line"
  • Bill Plummer — upright bass on "Rip This Joint," "Turd on the Run," "I Just Want to See His Face," and "All Down the Line"
  • Billy Preston — piano and organ on "Shine a Light"
  • Al Perkinspedal steel guitar on "Torn and Frayed"
  • Richard Washington — marimba on "Sweet Black Angel"
  • Clydie King, Vanetta Fieldsbacking vocals on "Tumbling Dice," "I Just Want to See His Face," "Let It Loose," and "Shine a Light"
  • Joe Green — backing vocals on "Let It Loose" and "Shine a Light"
  • Jerry Kirkland — backing vocals on "I Just Want to See His Face" and "Shine a Light"
  • Mac Rebennack, Shirley Goodman, Tami Lynn — backing vocals on "Let It Loose"
  • Kathi McDonald — backing vocals on "All Down the Line"
  • Lisa Fischer, Cindy Mizelle — backing vocals on bonus tracks
  • David Campbell — string arrangement on "Following the River"

[edit]

Merry Clayton, & Rolling Stones, the making of Gimme Shelter Rolling Stones



Uploaded by on Feb 10, 2011
This clip is taken from the FULL DVD "Rolling Stones - Under Review 1967-1969". Like most artists at the time, the Stones were affected by the black people struggle for freedom and equal rights. "Gimme Shelter" tells about this fight, accompanied by the beautiful, powerful voice of Merry Clayton.




Top Comments

see all

All Comments (54)

6tinylegs
  • The Stones were the 1st rock and roll band I know of to record with gospel singers.Lord,what a perfect fit.Merry Clayton's vocal on this song makes the hairs on your neck stand up.The Blackberries{Merry,Clydie King,and Veneta Fields} are all over Sticky Fingers,Let It Bleed,and Exile on Main Street--the best of the Stones.
  • @stardate1804 Right there with ya bro. One of the finest recorded moments in Rock-n-Roll. so cool to hear the raw tack.
  • stardate, i already do
  • @stardate1804 Someone was saying on Merry Clayton's solo version of this, that Mick told her to really get into it so at 2:51 her voice cracks and you can hear Mick say, "Whoo!" in response to that. They left it on the album version. I think this is the Stones' crowning achievement song - it's just perfect - and even without all the instruments in this you'd have thought this is a major hit for the ages.
  • @vootie99 Yeah, I saw that video with the Stone's mouth and the isolated vocal track. Went to show someone and it was gone. Too bad it was removed, where else would I have seen it? They don't make all the DVDs they can that people would be interested in, i.e. how the songs were made in the studio. So I'm wondering where this one came from. It's cool, and Merry helped make this song even greater. Her solo rendition of it is fanatastic.
  • This is incredible. Wow. I have goosebumps.
  • This track was posted a few months ago with a couple of other tracks, stripped apart... this is the original recording with drums and other stuff removed... the other tracks I heard: one was just keith's added solo overdubs... another just bass and drums... but they were all removed from the web for copyright blab blah blah... fascinating to hear and to dissect the song production that way...

Merry Clayton- solo compilation











When she delivered those original vocals on Gimme Shelter - she was only 20!!!
Her vocals on the Stones original is still shocking, and wonderful, even after all these years. Nice one...

(at 15 years of age)






Uploaded by on Nov 11, 2010
Merry Clayton, "Tell All the People"

From Gimme Shelter, 1970

Merry Clayton, and Rolling Stones - "Gimme Shelter" (1970)







Merry Clayton

From Wikipedia, the free encyclopedia
Merry Clayton
Born December 25, 1948 (age 62)
Gert Town, New Orleans, Louisiana, United States
Occupations Singer
Years active 1962–2000
Associated acts The Raelettes, The Rolling Stones
Sisters Love
Merry Clayton (born December 25, 1948, Gert Town, New Orleans, Louisiana) is an American soul and gospel singer (both solo and back-up), and an actress. She has provided a number of back-up vocal tracks to songs recorded by major performing artists during the 1960s, most notably with her duet with Mick Jagger on The Rolling Stones song "Gimme Shelter".[1]

Contents

[hide]

[edit] Biography

Clayton began her recording career in 1962 at the age of fourteen, singing "Who Can I Count On? (When I Can't Count On You)" as a duet with Bobby Darin on his album "You're The Reason I'm Living". A year later, she recorded the first version of "The Shoop Shoop Song (It's in His Kiss)", although it was Betty Everett's version of the same year that reached the top 10 in the Billboard Hot 100.[2] Her early career included performances with artists including Ray Charles (as one of The Raelettes), Pearl Bailey, Elvis Presley, Phil Ochs, and Burt Bacharach. In 1971 she co-wrote the song "Sho' Nuff", which is about her mother.[3] She contributed vocals to Donald Cammell and Nicolas Roeg's 1968 film Performance.
Clayton also sang backup on several tracks from Neil Young's debut album Neil Young, originally released in 1968.
She is best known for her 1969 performance in a duet with Mick Jagger on the Rolling Stones song "Gimme Shelter". (Originally, the Stones had intended to have Bonnie Bramlett sing, but Bramlett was not available, possibly because of illness.)[4] Clayton also sang backing vocals on Lynyrd Skynyrd's "Sweet Home Alabama".[5] Also, early in her career, Clayton sang backup vocals for Tom Jones, Joe Cocker ("Feelin' Alright") and Carole King. She also originated the role of the Acid Queen in the original 1972 London production of The Who's Tommy. More recently, Clayton has provided background vocals for Sparta's latest album Threes on the songs "Atlas" and "Translation". As an actress, she co-starred with Ally Sheedy in the 1987 film Maid to Order, and played Verna Dee Jordan in the final season of Cagney & Lacey.
In 1970, Clayton recorded her own version of "Gimme Shelter," and it became the title track of her debut solo album,[6] released that year. Her version would be the first of five singles under her name to crack the Billboard Hot 100, reaching #73. She continued to release solo albums throughout the next decade, notching several minor R&B singles. Clayton performs a live version of what has been deemed the Black National Anthem Lift Every Voice and Sing, on the soundtrack for the 1970 Robert Altman film Brewster McCloud.
Clayton sang "You're Always There When I Need You," the main title for 1980's The Nude Bomb, the first Get Smart movie, which starred Don Adams. She also sang the song "Yes" that was in the 1987 film Dirty Dancing, and featured on the soundtrack album. This tune became her biggest hit to date to crack the Billboard Hot 100, peaking at #45 in 1988. She also recorded backing vocals for and sang the infamous 'Man with the Golden Gun' bridge on Tori Amos's 1994 hit, "Cornflake Girl".

[edit] Personal life

Clayton was married to jazz artist Curtis Amy until his death in 2002.[7] Clayton's brother is the Little Feat percussionist Sam Clayton.[8]
She had a miscarriage upon returning home from recording Gimme Shelter; some hypothesize this was due to the strain associated with reaching such high notes whilst singing.[9]

[edit] Discography

[edit] Studio albums